A New Venue

•November 19, 2009 • Leave a Comment

Coming at ya on a cold, Iowa morning where the fog is so thick you can’t see my hand in front of your face.

I recently happened upon a new venue for my artwork. The painting, “Washington Street in Red” is now hanging for view and sale at Baby Boomer’s Cafe in Des Moines’ historic East Village. They serve good, honest food and breakfast all day FTW! It says on the website, “just like your mom and grandma served it up…hot, fresh, no substitutes, and no excuses“. That’s assuming that your mom and/or grandma was a kickass cook. The homemade pies are to die for.

Aside from great food (and my painting) Boomer’s also has works on display by Van Holmgren and Lee Ann Conlan.

I would highly recommend stopping in, eating lots, and while you do… check out some great art.

Oh, Tell Rodney and Tom (the owners) I said “Hi”.

Got some other big news coming up! Tell ya tomorrow.

Cheers,

R

A Bit of a Surprise OR The Yattering and Miss K

•November 16, 2009 • Leave a Comment

When I started painting Friday I had no idea what was in store me. I mentioned a while back that I was interested in doing some portraiture as well as some more figurative work. I’ve been wanting to change the way I paint as well. Painting more intuitively as opposed to working strictly from photos or from life. Friday gave me a solid dose of what I’ve been looking for.

So I’ve been sitting on this photo for the better part of a year. It’s a picture that I really enjoy of a friend of mine. I asked her if I could use it sometime last Winter and she agreed. Then in my usual manner I filed it away for “future use” and promptly forgot about it for 6months. I decided Friday was the night. My commissioned work is coming along nicely (plus it needed an evening to dry up a bit) and I was itching for something different to paint so I printed off the photo and started working. The pace was feverish. I don’t think I looked up for 3 hours. That’s when you know you’re having a good time… Am I right? Yeah. At the end of the that session I’d managed to cover the entire canvas in a fairly well fleshed-out portrait. It needed some refining, but the elements were there. Plus my friend had evolved a friend of her own. He’s kind of creepy and kind of comical. I’m going to say he’s a Yattering. It’s from a Clive Barker story called The Yattering and Jack. He’s a minor demon sent by Beelzebub to torment and irritate. You have to ignore them or they’ll walk all over you… and take your soul to Hell. Some people. Her apparent lack of awareness of the presence of the Yattering is belied by her bemused expression. Oh she knows he’s there and her refusal to acknowledge his deeds is driving him nuts.
Or she’s a meth-head and this is her paranoia in action.

I took a couple more hours over the course of the weekend to refine both of their features. The Yattering took on a couple of different incarnations. I settled on the last one because of my personal interpretation of the little guy’s purpose and my own deep-seated fear of faceless gibbering horrors no matter how comical. All in all I was blown away by the speed at which this painting poured forth from me. I typically paint more slowly working on a single piece for 4-6 weeks. Hmmm… I suppose if I had more time during the day (looks thoughtfully toward the sky)… I should probably be careful what I wish for. Then again…

I’ve never had a lot of success painting faces. Especially making those faces look like the person (people) I’m supposed to be painting. I began to realize that was part of my block. I was so wrapped up in making a Portrait that I was failing to make a Painting. I eventually let go of the fact that I was painting someone I knew and just started painting a girl. A girl based on a photo of someone I knew. I am happy to say that her eyes DO follow you wherever you go. In the context it’s more than a little unsettling.

I also had to let go of the idea that my fictional/fantastical ideas for paintings were somehow of less worth than my other work. That was a tough one. I was told a long time ago that I shouldn’t put the two together, but part of me has been trying to reconcile them every since. Perhaps this is a step in that direction. Either way I’m excited and more than a little surprised at myself.
It doesn’t get much better than that.

I think I need to do more. Wanna pose?

Cheers,

R

A Hurried Thursday Update

•November 12, 2009 • Leave a Comment


Good morning one and all. Just wanted to make a quick post this morning to catch up on what I’ve been doing. It’s been over a week since I blogged and I’m feeling like a bit of a slacker in this respect.

I just finished a commission I picked up back in early October. It’s another Des Moines cityscape. My client came to me with a couple of very nice photos and we collaborated a bit on how to put the piece together. I’ll say it again. I’ve been very lucky with my clients. They’ve all been so easy to work with (that’s not always the case). I put the finishing touches on it last week and delivered it Monday. Just in time as I’ve got a number of project lined up. Every now and then it seems like I’ve got to feed this compulsion to take on a bit too much work, but you do what you do to keep you motivated. I’ve got work to finish for the Crossroads Conference in December and for another potential group show in January. And let us not forget we barreling towards the holidays… and all that that implies.

“It’s another Des Moines cityscape.”
There’s the only problem I’ve really run into doing commissioned work. I’ve got these directions I’m trying to take my Art, but commissions are usually requests for you to produce something in the style with which people have become familiar. Don’t take that the wrong way… paying gigs come first for the most part, but sometimes it can feel like they’re stifling forward movement. I’ve heard this from other artists at different points as well. The general concensus is however that people need to eat as well as a myriad host of other things to survive. I’ll never complain about selling work or having a damned good excuse to stay up at night.

But I do have a number of ideas that are just screaming to get out. I’m looking forward to a chance to let them.

Cheers,

R

New Scam Coming Soon to Your Inbox!

•November 2, 2009 • Leave a Comment

Hey Kids! I just got hit up by a new email scam this weekend. Well, it was new to me at least. It came as the result of posting my teaching class on Craigslist.

Here’s the message I received verbatim:

mikkylemore@aol.com to rob
5:24 PM
My name is David john I’m interested in your lesson. I would like you to
be taking my daughter your lesson while i am at work in your city. I live
in England(UK) but i’m moving to your area because I’m having a contract
with Environmental Protection Agency in united state, And they are the one
responsible for all payment of all my need including the lesson fees and
there mode of payment is by Cashier Check.The contract will be just for 4
weeks so i want you to email me back if you can teach my daughter,
(jenny) she is just (18 yrs old) and also you don’t have to worry
concerning how she will be comming to the lesson i have already made all
neccesary arrangement for all her needs infact i have negotiate with a Cab
Company that will provide her the Cab and driver that will be driving her
to the lesson and driving her back home after the lesson . So i will want
you to get back to me with the total charges for the 2hrs in a day 3 days
in a week for good 4 weeks…
YOU WILL HAVE TO EMAIL ME BACK ALL THIS INFORMATION SO THAT I CAN SEND
IT TO THE E.P.A SO THEY I’LL ARRANGE FOR THE PAYMENT ASAP.
(1) TOTAL CHARGES FOR THE LESSON:
(2) YOUR FULL NAME TO BE ON THE CHECK:
(3) YOUR LIVING ADDRESS TO SEND THE CHECK TO:
(4) YOUR ZIP CODE:
(5) YOUR CELL PHONE NUMBER FOR EASY COMMUNICATION:

I will be waiting to hear from you shortly
Mr David john
here is my living address
Ryhall Rd, Stamford, PE9 1UA
United Kingdom

Here’s a link I found regarding another wording of this same email:
http://groups.google.com/group/rec.arts.dance/browse_thread/thread/8d56f223c3b70976?pli=1

Naturally it was pretty easy to spot the scam what with the poor grammar, odd spacing, and a very fill-in-the-blank look about the message. Not to mention the person’s name, “David John” was in no way reflected by the name in the email address, “mikkylemore@aol.com”. Granted not everyone uses their name in their email address, but to use a totally different proper name is, to say the least, a little suspect. Things like this can be easy to overlook when sales are down and you’re in need of cash. Keep your wits about you and remember what your parents said, “If it sounds too good to be true it probably is”.

When in doubt check with ArtScams.com or your fellow Artists. And hey… let’s be careful out there.

Cheers,

R

Love/Hate… or at Least a Vague Dislike

•October 26, 2009 • 1 Comment

People love Art it’s true. The same, however, cannot be said for the Artists. The public seems to have a real love/hate relationship with them. At least, as the title of this post suggests, a vague dislike.

It’s easy enough to understand I suppose. People love to look at pictures. It’s only natural. Art moves us and engages us. It feeds something inside of almost all of us. It also stands to reason that we would be intrigued by the people who make it. The reality is that most people, when they’re pressed to think of artists, think of hipsters, weirdos, or our dear Uncle Bob. Bob Ross, that is: the pleasant, afro-wearing painter of “Happy Little Trees” on Public Television with the somnambulistic voice. Or potentially worse yet they think of their sweet, but slightly crazy aunt who has too many cats and goes on about “The Universe” too much. Pleasant enough at Thangksgiving, but not someone you’d want to spend loads of time with. Gone are the days when the public was presented with the pop culture icons of the middle of the last century. The flamboyant or just plain bizarre characters of the days of the ‘Artist as Rock Star’ are gone. Some might argue that certain characters in the Art World have risen up to fit the bill. Not one really captures the public’s imagination in the same way as an Andy Warhol or a Salvador Dali. You could argue that the torch has been passed perhaps to the ubiquitous Banksy or maybe Matthew Barney (whom I’ve mentioned before). To be certain there are stars within the Artistic Community that have their fair share of celebrity recognition, but they aren’t household names.

Back to the subject though…

Perhaps the dislike for artists comes from the realization that people come across when they finally get to meet the creator of a favorite piece of work. Few things ever live up to their hype. Artists are, after all, just people who feel motivated to create. Most of us aren’t much to look at and probably don’t stand out in a crowd. I suppose it can be a bit of a disappointment when you find your image of the brilliant artist at work is really just a guy with a couple of kids working out of his basement… possibly with a headcold and maybe a cat. Perhaps our very presence takes away some of the magic. Like learning that the lyrics to a favorite song you’ve been singing along with all these years are wrong, but on the same token they’ve developed meaning for you. You feel let down… possibly even a bit foolish.

I personally feel that a good portion of it is due to Artists being cast in an unfavorable light by the very thing that sets them (us) apart: creating Art for a living. Creating Art is, I believe, perceived by many to be something you do for fun. We all had Art class in school. For many it was a nice break from the “regular” classses. You got to get messy. You got to draw or paint. It was more entertaining than the more academic subjects. Kind of like P.E. Fun yes… but a serious career? No. Anyone who’d attempt to do that is probably a layabout looking for an excuse not to get a “real” job. Oddly enough many of those same folks will pay hundreds to go watch a pro sporting event and never think twice about why a person should get paid millions to play a game you played in school as a kid or why you have to pay so much for decent seats. Most of us don’t get corporate sponsorship or endorsements. There are NEVER lines for autographs. Not that I think that sort of thing would be enjoyable. I’m just sayin’.

I think that Artists as a group represent a freedom many people wish they had: doing something you love as a career. Most people don’t.. or can’t. It can be a real sore spot and can lead to resentment of those who do. Again I could point to the pro-athlete. Actors and musicians fall into the same category for that matter. Truth is many, if not the vast majority of, Artists I know have “Joe Jobs”. I work as a network engineer/”your company’s IT guy” during the day. I know many who teach to make ends meet. Art as single source of income is a dicey, unstable business. It’s usually feast or famine. The hours are all over the place and you’re at the whim of gallery owners and collectors. All of whom want your work, but many either want a lower price or a bigger commission… or they flat out want you to change your Art to suit their interests or wants. If money is tight you may find yourself more willing to make compromises although I’d recommend against…

Truth be told most Artists don’t ever really choose to make Art. We’re driven to do it. I know several Artists who struggle with their career choice wishing they could’ve been gifted in some other, more lucrative arena. A friend recently lamented, “sometimes I wish the thing I NEED to do is be a lawyer or a doctor or something”. Many give up and become resigned to a life of office politics and cubeville. Some of us, however, are trying to work our way back out.

I’m not saying, “go out and hug an Artist” or anything. I AM saying that Artists serve an important role for the human race. We pry open the soft shell of our collective subconscious and look inside. We tell you things you may not want to hear about yourself. We point our fingers and laugh at things others stake their lives on. We make you laugh, weep with joy, and turn away in disgust. We hold up a mirror to the World and remind it (and you) of what we wanted it to be. Sometimes you hate us for it. Sometimes that realization can make a change for the better.

Until next time…

Cheers,

R

Cracking the Odometer

•October 16, 2009 • 2 Comments

Normally I don’t put a lot of stock in my own birthdays. Something in me, at this age, says “just another day”. Once you have kids your focus in life changes. This year my birthday saw me turn 39. Since people put so much emphasis on turning 40 I figured this year I’d roll the odometer back.

Naturally I can’t get younger. No matter how you slice it or how many pacts you attempt to make with the Dark Old Ones you just keep getting older (Cthulhu drives one hell of a hard bargain, btw. Plus he’s a total liar). Frankly, at this point in my life I’m actually pretty happy with myself. Having had a personal rediscovery of sorts in the last year. If you’ve been following along with my ramblings you know that I’m working to redifine my work a bit. I like what I do, but I feel like it needs something more. Something of that spark I had when I was younger. I wasn’t afraid to reach into my imagination and pull out all the odds and ends and put them down on paper and canvas. I enjoy doing the work I do. I enjoy creating portraits of city streets and urban settings. I enjoy juxtaposing the figures and exploring their relations to each other. I feel like there’s really something that needs to be said there and I’ll keep working toward my goals in that vein. I’ve managed to pick up a fair bit of commissioned work that’s due for the holidays. It’s all pretty representational stuff and I’m really looking forward to diving into each piece. It’s just that lately I’ve been wanting to get a taste of that imaginative spark. I don’t produce much emotive work. If you look at my paintings close-up you can see the emotion and energy in the brushwork and the intense colors, but the subject matter remains pretty neutral. So as an exercise I’ve been indulging my Id a bit and letting the little pictures that get stuck going round and round in my head out more often. I’ve got sketchbooks full of them. Some are grotesque (example below)and some are darkly beautiful. I may as time goes by post more.

So I suppose, in essence, I’m not really rolling back the odometer of my years. I’m letting the part of me that wasn’t afraid to be off-kilter, or “wrong”, or un-PC, or just plain silly back into my studio. Over the years you can get comfortable in a thing. Sometimes it pays to be a little uncomfortable to remind you who you are.

So here’s my latest… I’m calling it Rabbit Proof Fence (shown at top). For those of you who’ve read Richard Adams’, “Watership Down” (a personal fav) you’ll recognize the character as the Black Rabbit of Inle. The Grim Reaper for rabbits. Don’t get it? Read the book. You’ll love it. If you check by his feet you’ll see my little memento moris. An acknowledgement of his purpose and my own mortality which becomes more apparent with each passing day. I’m OK with that.

Find the spark. Remind yourself who you were and what you liked about that person. See if any of that’s relevant to your current state of mind. If it makes sense (even a little bit) let some of it back in.

Cheers,

R

Square One

•October 8, 2009 • Leave a Comment

October, while it’s my favorite month, can be a bit dreary in Iowa. I suppose it’s typical for October in a lot of places, but this year Autumn came around like someone flipped a switch on October 1st. One day you have clear, sunny skies and 80-degree temps. The next it’s 60 and raining… and the rain continues for the next week or so. For the most part I love it. I love the rain and the smells that come with it. I love the variety of colors we get here in the Midwest. I don’t like the fact that it hails the coming of another Iowa Winter. I don’t really want to consider what this year will be like. We’re already expecting flurries this weekend.

Aside from the cold and damp October brought with it my first foray into teaching. Last night I taught my first-ever drawing class. My experience confirmed that I do, in fact, really enjoy teaching. It remains to be seen whether or not I’m any good at it, but I think the lesson made an impact on the few folks that showed up. I imagined classes would be small to start. Frankly it suits me fine. Having fewer people to begin with gives me a chance to develop my approach towards more individualized treatment of the students. Once I get more comfortable with that then it will be an easy transition to larger groups… If indeed there will be any larger groups. Things like this take time to catch on. This term lasts a couple of months. Just enough time to give me a good idea as to whether it’s something I’d like to continue doing and to get the word out.

Last night’s class focused on Line: how different kinds of lines can convey different things, the way lines express things like motion, weight, distance, intent and mood. We touched on some other topics like composition and negative space as we progressed. If you’re reading this and are not sure what that means and would like to know more… contact me or the Des Moines Social Club… Or just show up for a class. We’ll work it out.

I called this post Square One for a reason… which I haven’t really touched on yet. Square One is where you go when you go back to the beginning. Drawing is the place I started. I put myself through the same process as I did my students. It was refreshing to teach and go through the exercises I was taught when I started on my Art major in college. We focused on very simple shapes: we drew unadorned, stacked boxes. With a subject so basic you have to put aside things like color and detail and focus on composing and exploring the simple shapes in front of you. Something I think will have a profound impact on my work. Teaching gives you the chance to play the “if only I knew then what I know now” scenario. You get to revisit something I think is vitally important to growth as an Artist. You put yourself out of your comfort zone and take yourself back to school. I know I can wax philosophic, but but it’s true. You never really stop learning.

Next time I’ll have some pics of our class work so you can get a better idea of where we’re going. Would love to see you there!

Cheers,

R

New Studies of Old Pics

•October 1, 2009 • Leave a Comment

Here are a couple quick shots of some oil pastel studies I did this week.

I enjoy banging things out in small-form like this. Oil pastels have great immediacy and can be smeared around or scraped away much in the same way oil paint can… only it’s more finger-friendly.

I was picking through source photos last night after having rediscovered a drawer full of photo prints. I thought I’d lost most of them and it was kind of like Christmas. Mostly I was looking for figures that I’d managed to capture, but I stumbled on this shot of an old electrical plant and wanted to play around with it as well.

I’ve got some new ideas I’m kicking around that play towards my change in direction. I know these might not look that much different from what I’ve been doing, but remember… this is just a quick study to get the feel of the image… gimme a break. You’ll see what I mean eventually.

Cheers,

R

Go Get Your Sketch Books!

•October 1, 2009 • Leave a Comment

Just a quick note this morning to let you know a little more about the class I’ll be teaching at the Des Moines Social Club.

Here’s the summary:

Principals of Drawing 1
Facilitator: Robert Reeves
8 sessions, 2x/week: Wednesdays 5:30pm to 7:30pm -&- Saturdays 11am to 1pm,
October 7th – November 28th
Price: $5 per individual class or $30 per month
With a focus on the concepts of Line, Perspective, Gesture, Values, and Proportion,
this class will show students how to draw what they see vs. drawing their ideal of a
given subject. In-class drawing assignments will be limited to simple objects to
begin and moving to more complex objects and figure drawing as sessions continue.

What that means to you is that we’ll be starting off very simply. I plan to work on the bare basics of drawing so if you’ve always wanted to learn… here’s your chance. If you already do some drawing, but would like to expand your abilities or spend time improving your techniques this class would be a good fit. I think adults and kids would benefit equally and hope to see some younger attendees at the Saturday morning classes. In fact my kids may attend as well if the babysitter falls through. But be assured the class will be directed and informative AND hopefully a lot of fun.

You can sign up for the whole season or come down for individual classes. Your attendance level is up to you. Once we’ve made it through a season I may add a more advanced class, but let’s see how it picks up before we get too far ahead of ourselves.

Here’s the full calendar of classes and events the Social Club will be hosting this season. Some very interesting and unexpected options.
(http://www.desmoinessocialclub.org/calendar/index.asp)

Plus it’s right across from the new sculpture garden. Definitely worth visiting. The images in the article are from before the park was completed, but it has some good shots of a number of the featured scultpures (http://www.livingdowntowndesmoines.com/2009/05/pappajohn-sculpture-garden/)

To sign up contact me (Rob@RobReevesStudio.com) or the Des Moines Social Club.

Hope to see you there!

Cheers,

R

Literalism

•September 18, 2009 • 2 Comments

I have the distinct pleasure of meeting with a group of like-minded, artistic people on a semi-regular basis. We call our group, YAK (you can make whatever acronym from that you’d like). We chitchat, have drinks, and gossip. Most importantly, however, we have directed, topical discussions. We decide upon a question to discuss prior to our meeting. Upon our next get-together we’re expected to have an answer or at least the ability to engage in an intelligent discussion on the chosen topic.

Of the proposed topics for our next meeting one of them in particular struck a chord with me. A group member asked,

“Has anybody ever sat back and thought how ridiculous the things we call art and create are? (Matthew Barney, Kara Walker, Tara Donovan– strange sculptures, performance Art…).”

It’s an understandable question. I went off on a little different direction than the one she had in mind, but her suggestion sparked something in me.

This is part of my answer to my fellow YAK member plus a bit of my added pondering:
Often times I’ll find myself standing in front of a canvas, or out taking photos and ask myself, “Just why the Hell do I do this?”. It doesn’t make sense when you look at it from a strictly literal point of view. Then again I think when you look at any of the Arts in the harsh light of Literalism things can look a little silly. Walking around on stage wearing makeup and sporting odd costumes reading words from a book the actors themselves didn’t write all the while being told how to move around and recite by some guy… OR standing in front of an easel using little sticks with hair on the ends to cover a piece of cloth with tinted oil. It does seem a bit pointless. I know that point of view does indeed exist. There are people in the world who have no concept of how to appreciate something that doesn’t break down into perfectly logical little bits. People who look at a brilliant painting and say, “but what does it do?” People who lack the soul to see beauty for what it is. In short… Accounting Majors.
Naturally I’m kidding, but many of you know people like this. Perhaps Art isn’t for everyone.

Everything looks silly when presented in strictly literal terms. Even accounting. Seriously, what’s the purpose of chasing around numbers that, in the end, don’t really make anyone happy? Just an example. I don’t want to get flooded with comments and emails about me disparaging the Accounting field (sorry, Suz). I’m just using that as a broad, stereotype-fraught example. The same could be said for parenting. What’s the point in creating more people that will do nothing but create more people who’s purpose is to create more people, ad infinitum? Species preservation? Why bother if that’s all it’s for.

See what I mean?

Seriously though… What’s the purpose in anything? All said and done I guess for me it’s in the invisible bits. The intangible. The sense of accomplishment you get when you finish a painting. The exhilaration of Opening Night. The satisfaction of watching your numbers work out perfectly on a spreadsheet. The sheer thrill of seeing your child change and grow into the person they’re going to become. Frankly, in my book, they’re all the same and they’re all One. It’s not about Happiness. It’s about a sense of purpose and the fulfillment of that purpose… whatever it is. When people do that it helps us all to grow a little bit more. Even if you don’t understand what it is they’re doing… Cristo, I’m looking at you here.

I’m thankful everyday that I was lucky enough to know what that purpose is for me. Some people go their whole lives and never even consider it. Have you considered what it is that you’re bringing to the table?

Until next time,

Cheers

R